PRELIMINARY JURASSIC PARK FAQ FILE -- VERSION 0.2 ================================================= Prepared by Otto J. Makela <otto@jybox.jyu.fi> except where noted. Sections B & C sorted more or less in the order things happened on the film. Please send email on questions you'd like to see answered (or at least pondered), plot problems (plenty of those), technical goofs and anything else you'd like to see added to this FAQ file. First one to send material on something will be credited, notes inside brackets [] in other people's material are by me. A. ANSWERED QUESTIONS --------------------- 1. How accurate to nature are the descriptions of the dinosaurs in the movie? What do we *really* know of these animals? Of the fifteen species in the book, they only had seven in the movie and only six of those are directly identified in the film. There is actually a small inconsistency here. In the scene where they see their first brachiosaur, we see in the distance several herd animals with the funny-shaped head drinking from the lake, one of the "duckbill saurians" (the same animal was seen in the Visitor's Center dining room wall paintings). However, "The Official Hunter's Guide to the Dinosaurs of Jurassic Park", an exhibition at the American Museum of Natural History in New York listed the seventh as being Compsognathus, a small carnivore. The park should actually have been called Cretaceous Park, since most of the dinosaurs came from the Cretaceous (145My-65My BC), instead of the Jurassic (208My-145My BC), but I think this was just Michael Crichton's way of telling us they didn't really know what they were doing building the thing. We really know nothing about the coloring of these animals, they might as well have had chess-square patterns as far as we know. At one point of making the film, they were thinking of giving the velociraptors tiger stripes. However, it is true that dinosaurs were close to birds. You can think of dinosaurs as a transition phase (that lasted several hundred million years) from what we nowadays typically call reptiles to what we typically call birds. Velociraptor ("Quick Plunderer") 6 feet (2 meters), Mongolia, late cretaceous 80My * no reason to believe intellingence in the range given in film; we don't think of crocodiles as being particularly stupid, but they actually have *very* small brains, and are *not* bright -- dinosaurs have approximately the same brain/ body size ratio which is a *lot* lower then in mammals -- nor do we usually think of birds as very smart ("birdbrain") * scaled up for the film to 8 feet (2.6 meters); a find of a few larger bones in Utah resembling a velociraptor and possibly related has hastily been named the Utahraptor, but it is not yet a complete find and it hasn't even been published yet in any paleontological journals * running speed pure speculation; there is only so much you can determine from bones with forensics and biomechanics * pack-hunting; speculation has been rife, but no real hard evidence of this exists, though whole raptor skeletons have been found with tooth marks from other raptors on them Tyrannosaurus Rex ("Tyrant Lizard King") 40 feet (12 meters), Western North America, late cretaceous 65My Nothing is know of the acuity of the visual system of a T-Rex. Brachiosaurus ("Arm Lizard") 82 feet (25 meters), North America, East Africa, late jurassic 145My Head size was exaggerated about threefold in comparison to the body. Triceratops ("Three-horned face") 30 feet (9 meters), Western North America, late cretaceous 65My Dilophosaurus ("Two-crested reptile") 20 feet (6 meters), North America, early jurassic 180My Scaled down for the film, no reason to believe it could spit poison. Gallimimus ("Chicken mimic") 17 feet (5 meters), Mongolia, late cretaceous 65My Any kind of herd/flock behaviour is pure speculation. 2. Whatever happened to Gerry Harding (the park veterinarian, played by the film producer Gerald R. Molen) after he dropped Ellie Sattler (Laura Dern) back at the Park Visitor's Center? Bret Barrett <bbarrett@halcyon.com>: Harding specifically states that he can drop off Laura Dern before he goes to the ship that is leaving for the mainland. So he either got to the ship and left, or something terrible that we didn't see happened. 3. How many velociraptors were there? Three, though Spielberg noted in an interview something about "like being stalked by _four_ tigers", but I believe this means they weren't quite settled about the count at that point. Robert Muldoon (Bob Peck) notes when they visit the velociraptor pen for the first time that the "new" big velociraptor had killed their herd of eight except for two. One is locked in the freezer by the kids, two are killed by the T-Rex (they all look alike to me -- which one is "the big one"?). 4. What was the computer hardware in the park control room? There was $875,000 worth of Silicon Graphics hardware (mostly Iris workstations -- "I know this, this is Unix") and $350,000 worth of Apple hardware (Macintosh with video software) on loan. Also some $500,000 went into hardware and software for the set and it's off- stage control room which piped video images to the screens (yep, that Connection Machine in the set background is just a mock-up). By the way, the computer-generated dinosaurs were first done as quickie sketches on a Amiga video toaster. The real production work was all done on Silicon Graphics workstations. 5. e kieran xd/m <etledkn@etlxd20.ericsson.se>: Major differences between the book and the film: * the concentration in the book on the problem of (and the incidents of!) the dinosaurs getting off the island * the concentration in the book on how the dinosaurs are contained [and enumerated with motion detection systems, the bugs in the software doing this, causing them to miss the fact that the dinos are multiplying] * male dinosaurs are talked about in the book [in the film they are only implied by the existance of the eggs] * the young T-Rex and the dactyls [plus the seven other types of dinosaurs in the book but not in the film] * the (let's face) quite contrived ending of the film, when the T-Rex enters the building to eat the raptors [the original idea was that Grant would use a big platform crane to crush the raptor in the skeletal T-Rex jaws, but Spielberg decided the audience would love to see the T-Rex again, specially since the computer- generated T-Rex worked so well] * in the book, Sattler is Grant's student, nothing more * in the film, Hammond seen as a gentle but disillusioned man, unlike the book [where he actually is "Somewhat of a sod", as Richard Attenborough put it in an interview] * much more is made of eyesight acuity in the film? * the "Grant and raptor clash in the incubation-room" was left out of the film * the "raptors chewing at the window bars" was left out of the film [and actually the whole thing of Malcom being hurt by raptors and dying of it due to lack of medical facilities] 6. e kieran xd/m <etledkn@etlxd20.ericsson.se>: How about trying to find out what parts of the film were edited out (to give us some idea of what might be in a Special Edition, if there ever is one)? [According to THE MAKING OF JURASSIC PARK there were no major scenes filmed that didn't end up in the final production, the only thing I can think of is the adolescent triceratops, the model of which was almost ready when the scene was scrubbed. Also, since the upcoming LaserDisc release will be a deluxe THX package (about as special as it gets, THX has only been used in ABYSS and announced in the upcoming STAR WARS and T2 SPECIAL EDITION), I think we'll be waiting for a Special Edition for some time...] B. PLOT HOLES ------------- 1. There was no talk of cloning also plant life at any time, but Ellie Sattler (Laura Dern) was marveling a plant leaf she said had been extinct for millions of years just before they see their first brachiosaur. Pekka Timonen <pati@jyu.fi>: Plants being cloned are mentioned by Sattler also when talking about choosing them for looks, ignoring their possible toxicity. 2. Open plotline: they never figured out what was wrong with the triceratops? Bret Barrett <bbarrett@halcyon.com>: The triceretops in the book was getting sick not because it ate any of the berries, but because it ate some of the rocks that the berries had either fallen on or dripped on or something, I can't remember. Anyway, there was speculation that the animals used the stones to help mash up vegetable fiber inside their stomachs... they are called gizzard stones. After about six weeks, the stones would be ground smooth, the animal would regurgitate them, and eat more stones (and more poison). They realized this in the book when they discovered several piles of smoothed out gizzard stones. Apparently, some real dinosaur fossils have been discovered with things that could have been gizzard stones assosiated with them, but there is no conclusive proof. [Some birds, for example duck, also use gizzard stones to compensate for their nonexistant teeth] 3. Why did Dennis Nedry (Wayne Knight) attempt to steal live embryos when just stealing a copy of the DNA database would have been a lot safer, more productive for the competition he was selling them to (how were they going to get more than one dinosaur per embryo?) and quite a lot easier to get away with? 4. Doug Shaw <doshaw@math.lsa.umich.edu>: If people were not supposed to leave their tour cars, why was there a working public restroom off the road where the lawyer Donald Gennaro (Martin Ferrero) got eaten by the T-Rex? 5. Walter Zimmer <walter.zimmer@student.uni-ulm.de>: As Dennis Nedry (Wayne Knight) got stuck with the car, you can see the sign pointing to the East Dock twice: the first time it faces straight forward, the second time it faces to the left. Strange, no? Perhaps the Dilophosaurus turned it ;-) 6. How were they going to "invoke the lysine alternative" as Robert Muldoon (Bob Peck) insisted? The idea was, if the dinosaurs aren't given high-lysine food they die in a couple of days on their own (in the book, the raptors on the loose found a source of lysine). 7. Ellie Sattler (Laura Dern) leaves one velociraptor locked in the maintenance shed. How did it get out of there, since the shed had doorKNOBS, instead of handles like most doors on the island? I can believe raptors opening handles, cats can figure them out, but knobs? They simply didn't have the kind of hands to grip and turn them. Reminds me of the Gary Larson "Far Side" cartoon about the dog scientists, working day and night to discover the "doorknob principle", knowing that their work may transform the lives of dogs everywhere... 8. How did Tim Murphy (Joseph Mazello) get shocked by the fence as he wasn't touching anything grounded while hanging from it? I don't think it could have been a phase difference between different wires or grounded wires amongst the "hot" ones, because of the interconnecting small wires (which prevented them from crawling between the main wires) which did not seem to be insulated in any way from the main wires. Also, Alan Grant (Sam Neill) had a knife on his belt, why didn't he try cutting these smaller wires? 9. e kieran xd/m <etledkn@etlxd20.ericsson.se>: And in the scene where Alan Grant (Sam Neill) and Ellie Sattler (Laura Dern) are trying to hold the door closed against the raptor while Alexis Murphy (Ariana Richards) is working the computer, why didn't they just get Tim Murphy (Joseph Mazello) to give them the gun to shoot the raptor through the glass? Or Tim could have shot it himself? [I was thinking the same thing when watching the movie, but then it occurred to me that Tim is a kid, and you'd not expect a kid to go around using shotguns in real life...] C. TECHNICAL GOOFS/CONTINUITY ----------------------------- 1. In the scenes where they are sitting in the electric tour cars, hoping to see some dinosaurs, there is rain on the windows at one point (before the storm starts) and a few seconds later with a shot from another direction there is none. 3. Thomas Hollunder <root@mips.complang.tuwien.ac.at>: Has anybody noticed that the fence of the T-Rex area ends (looking at it from the outside) on the left side right where the trees begin? So, instead of waiting for somebody to turn off the juice, big T could've easily made his way through the bushes. 3. Tony Slack <ccoprts@prism.gatech.edu>: When the T-Rex first comes out and the lawyer runs from the car, he leaves the door to the car open. Several scenes later the door is shut and then almost the next scene shows it open again. [How does this tie in with Tim Murphy (Joseph Mazello) closing the door on the face of the T-Rex?] 4. When the brachiosaurus comes comes to graze from the tree (they reused the same "tree" in a sound stage the car fell from, by the way) Alan Grant (Sam Neill) and the kids are sleeping in, you can see camouflage net in the upper lefthand area of the screen. 5. e kieran xd/m <etledkn@etlxd20.ericsson.se>: In the scene where John Hammond (Richard Attenborough) is on the walkie-talkie, giving directions to Ellie Sattler (Laura Dern) on how she is going to re-start the generator, Hammond tells her to look for a button with the words, "Push to close," written by it. Sattler finds it, and the scene goes back to Hammond again. He then says the words, "Push it!" but if you look closely, his mouth doesn't actually move and the voice is (apparently) over-dubbed. 6. In the end, where they are sitting in the helicopter looking at birds flying away (I guess symbolizing escaping dinosaurs), in the shots inside the copter where you can see out of the copter window you see the island foliage going by, though they supposedly are in the middle of the ocean. D. FAVORITE QUOTES ------------------ Are some of these paraphrased? "Here I am, sitting in a car alone talking to myself. That's chaos." -- Ian Malcolm (Jeff Goldblum) "Now _that_ is a big pile of shit." -- Ian Malcolm (Jeff Goldblum) "You will remember to wash your hands before you eat anything?" -- Ian Malcolm (Jeff Goldblum) "Mr. Hammond, after careful consideration, I've decided not to endorse your park." -- "Me too." -- Alan Grant (Sam Neill) and John Hammond (Richard Attenborough) e kieran xd/m <etledkn@etlxd20.ericsson.se>: "It's... it's a dinosaur!" -- Alan Grant (Sam Neill) e kieran xd/m <etledkn@etlxd20.ericsson.se>: "T-Rex? You said you have a T-Rex?" "Yes!" "Say that again." "We have a T-Rex!" -- Ellie Sattler (Laura Dern), John Hammond (Richard Attenborough) and Alan Grant (Sam Neill) Dominic Macika <macika@emunix.emich.edu>: "God creates dinosaurs. God destroys dinosaurs. God creates man. Man destroys God. Man creates dinosaurs. Dinosaurs eat man." "Woman inherits the earth." -- Ian Malcolm (Jeff Goldblum) and Ellie Sattler (Laura Dern) Big Jay Hawley <jay@loose.apana.org.au>: "That was an impact tremor. I'm fairly alarmed here." -- Ian Malcolm (Jeff Goldblum) E. FILM CREDITS --------------- PRODUCTION STAFF Directed by ..................................................STEVEN SPIELBERG Screenplay by ................................MICHAEL CRICHTON and DAVID KOEPP Based on the novel by ........................................MICHAEL CRICHTON Produced by .................................KATHLEEN KENNEDY, GERALD R. MOLEN SAM NEILL LAURA DERN JEFF GOLDBLUM and RICHARD ATTENBOROUGH as JOHN HAMMOND BOB PECK MARTIN FERRERO B.D. WONG SAMUEL L. JACKSON WAYNE KNIGHT JOSEPH MAZZELLO ARIANA RICHARDS Director of Photography ...................................DEAN CUNDEY, A.S.C. Production Designer ...............................................RICK CARTER Film Edited by ...........................................MICHAEL KAHN, A.C.E. Music by ........................................................JOHN WILLIAMS Associate Producers ...................................LATA RYAN, COLIN WILSON Unit Production Manager ...........................................PAUL DEASON First Assistant Director ....................................JOHN T. KRETCHMER Second Assistant Director .............................MICHELE PANELLI-VENETIS Full-Motion Dinosaurs by ..................................DENNIS MUREN A.S.C. Live Action Dinosaurs by .........................................STAN WINSTON Dinosaur Supervisor ..............................................PHIL TIPPETT Special Dinosaur Effects .....................................MICHAEL LANTIERI Casting by .....................JANET HIRSHENSON, C.S.A., JANE JENKINS, C.S.A. Art Directors ........................................JIM TEEGARDEN, JOHN BELL Set Decorator .....................................................JACKIE CARR Stunt Coordinator ..................................................GARY HYMES Camera Operator ................................................RAYMOND STELLA Sound Mixer .......................................................RON JUDKINS Paleontologist Consultant .........................................JACK HORNER First Assistant Camera ............................................CAL ROBERTS Second Assistant Camera ........................................JOLANDA WIPFLI Loader ...........................................................STEVE SFETKU Still Photographer ...............................................MURRAY CLOSE Boom Operator .....................................................BOB JACKSON Cable Operator ............................................TOVE BLUE VALENTINE Video Engineer ......................................................IAN KELLY Script Supervisor ..........................................ANA MARIA QUINTANA Women's Costume Supervisor ..........................................SUE MOORE Men's Costume Supervisor ........................................ERIC SANDBERG Costumers ..........................................KELLY PORTER, MITCH KENNEY Textile Artist .........................................PHYLLIS THURBER-MOFFIT Property Master ....................................................JERRY MOSS Assistant Property Masters .........................KEN PETERSON, CRAIG RAICHE Second Second Assistant Director .......................KENNETH J. SILVERSTEIN DGA Trainee .........................................................FRED ROTH Unit Publicist ...............................................MARSHA ROBERTSON Production Office Coordinator ....................................ANGELA HEALD Assistant Production Coordinator ..............................SHERRY MARSHALL Production Secretary .........................................LYNNE CANNIZZARO Make-up Supervisor ............................................CHRISTINA SMITH Assistant Make-up Supervisor ...................................MONTY WESTMORE Body Make-up ....................................................JULIE STEFFES Hair Supervisor ................................................LYNDA GURASICH Assistant Hair Supervisor .....................................FRIDA ARADOTTIR Chief Lighting Technician .......................................MARK WALTHOUR Assistant Chief Lighting Technicians ...........STEVE CHANDLER, O'SHANA WALKER Rigging Gaffer ...................................................PAT MARSHALL Lighting Technicians ............EDWARD THOMPSON, ANTHONY WONG, KEITH ROVERUD, HENRY "HANK" CHARLESTON, RON WOODSIDE, BEN O. GRAHAM Key Grip .......................................................RON CARDARELLI Best Boy Grips .....................................................SID LUCERO Dolly Grip .....................................................DAVlD WACHTMAN Key Rigging Grip ...................................................BUD HELLER Grips ....................STEVE CARDARELLI, MARTY DOBKOUSKY, MICHAEL R. HEATH, BILL VENEGAS, JOHN O'GRADY, JOHN COKER Special Effects Foreman ............................................DON ELLIOT Special Effects Shop Supervisor.......................................TOM PAHK Special Effects Engineer ......................................JOSS GEIDUSCHEK Special Effects ........................STEVE BUNYEA, BRUCE MINKUS, KIM DERRY, MARK T. NOEL, CORY FAUCHER, DANIEL OSSELLO, ERIK HARALSTED, JON PORTER, TERRY W. KING, E. WAYNE RABOUIN, LOUIE LANTIERI, BRIAN TIPTON, MATTHEW J. McDONNEL Special Effects Rigging Foreman .....................................TIM MORAN Assistant Art Directors .................LAUREN CORY, MARTY KLINE, PAUL SONSKI Set Designers ......................JOHN BERGER, MASAKO MASUDA, LAUREN POLIZZI Chief Sculptor ....................................................YAREK ALFER Illustrators ........................................TOM CRANHAM, DAVID LOWERY Computer Design ................................................STEFAN DECHANT Art Dept. Coordinator ..........................................CAROLINE QUINN Leadman ...........................................................TIM DONELAN Swing Gang .......................................................SCOTT LESLIE Location Manager ...............................................STUART NEUMANN Casting Associate ..........................................MICHAEL HIRSHENSON Casting Assistant ............................................SUSANNA GRIFFITH Extras Casting ................................................CENTRAL CASTING Construction Coordinator .......................................JOHN VILLARINO Construction Foreman ..............MIKE VILLARINO, DAN PEMBERTON, JOHN ELLIOTT Head Paint Foreman ..................................................PAT GOMES Paint Foreman .........................NANCY GOMES, TOM HRUPCHO, DAVE TREEVINO Stand-by Painter ................................................TONY LEONARDI Tool Foreman ....................................................ANTHONY FEOLA Head Laborer .......................................................BRIAN ROCK Plaster Foreman ..................................................DAVID ROBBIE Head Greensman..................................................DANNY ONDREJKO Greens Foreman ...................................................KEVIN MAGNAN Greensmen .................................JEFF BROWN, BOB SKEMP, HUGO HERRERA Craft Service ....................................................TIM GONZALES Display Graphics Supervisor ....................................MICHAEL BACKES Display Graphics ............................................DAVID NAKABAYASHI 24 Frame Computer Sync ............................JOHN MONSOUR, BRIAN CALLIER Assistant Editors ....................ALAN CODY, PETER FANDETTI, PATRICK CRANE Apprentice Editor .........................................MICHAEL FALLAVOLITA Dinosaur Specialists ...................JOHN GURCHE, GREGORY PAUL, MARK HALLET Skeletal Display ...............................RESEARCH CASTING INTERNATIONAL Slide Show Coordinator ..........................................PATTI PODESTA Goat and Body Parts ............................................LANCE ANDERSON Additional Video Assist ........................................DEBORAH KELMAN Production Controller ................................................JANE GOE Production Accountant ..............................................JIM TURNER Assistant Production Accountant .............................DEBORAH HENDERSON Construction Accountant ............................................KAY JORDAN Payroll Accountant ................................................KRISTEN NYE Assistant Accountants .........................ELENA HOLDEN, CHRISTINE STEWART Set Dressing Coordinator ........................................JANINE CAVOTO Assistant to Mr. Spielberg ......................................BONNIE CURTIS 2nd Assistant to Mr. Spielberg ........................KAREN BITTENSON-KUSHELL Assistants to Ms. Kennedy ..........................BETH CAHN, LESLIE CHEATHAM Assistant to Mr. Molen ..........................................DIANA TINKLEY Assistant to Ms. Ryan .........................................REBECCA CHAIRES Assistant to Sam Neill ...........................................SIMON MILLAR Production Assistants ..............................CRAIG BARNETT, JOHN SMITH, JOSEPH J.M. KENNY, ROBERT WEST Transportation Coordinator ........................................DENNY CAIRA Transportation Captain ...............................................HAL LARY Drivers .......................TINO CAIRA, BECKY RAICHE, DON CROW, LEROY REED, JAMES FREAR, STEVE SORKIN, GORDON JERNBERG, MARK WESTCOTT, LORIN JORDAN, WAYNE WILLIAMS, STEVE LUCE, MARK YACULLO Animal Trainer ................................................JULES SYLVESTER Teacher ............................................................JUDY BROWN Safety Coordinator ..............................................TIM LITCHAUER Stand-ins ......................................DON FELDSTEIN, DAVIDA VACCARO, JOHNNY JOHNSON, JOE ZIMMERMAN, CYNTHIA MADVIG 2nd Unit First Assistant Director .............................CARLA McCLOSKEY Additional Photography .........................................LLOYD AHERN II 2nd Unit Gaffer ................................................JACK SCHLOSSER Helicopter ...........................................BLUE HAWAIIAN HELICOPTER HAWAII UNIT Location Manager ...................................................KEN LEVINE Asst. Location Manager ................................................SAM LEE Asst. Production Coordinator .................................VICTORIA MATTSON Office Assistant ...............................................TRACI TATEYAMA Transportation Captain ..........................................HARRY UESHIRO Grip ............................................................RUBEN VASQUEZ Electric .......................................................ROGER THOMPSON Security ..........................................................MARK TRAVIS Extras Casting ......................................................SHOWLITES AERIAL UNIT Aerial Unit Director .............................................DAVID NOWELL Aerial Coordinator ...............................................BOBBY ZAJONC Assistant Camera .................................................JOHN CONNELL Picture Pilot .................................................DAVID CHEVALIER Safety Coordinator .............................................CYNTHIA ZAJONC "MR. D.N.A." ANIMATION Animation by ................................................KURTZ AND FRIENDS Movement Design .....................................................BOB KURTZ Layout Design ...................................................ROBERT PELUCE FULL MOTION DINOSAURS AND SPECIAL VISUAL EFFECTS BY INDUSTRIAL LIGHT & MAGIC A Division of Lucas Digital Ltd. Co-Visual Effects Supervisor ...............................MARK A. Z. DIPP\'E Visual Effects Producer ...........................................JANET HEALY Lead Computer Graphics Supervisor .........................STEFEN M. FANGMEIER Computer Graphics Supervisors ......................ALEX SEIDEN, GEORGE MURPHY ILM General Manager ................................................JIM MORRIS Computer Graphics Animators ..............ERIC ARMSTRONG, JAMES SATORU STRAUS, STEVE SPAZ WILLIAMS, GEOFF CAMPBELL, STEVE PRICE, DON WALLER Computer Graphics Artists ................JEAN M. CUNNINGHAM, JOSEPH PASQUALE, CARL N. FREDERICK, ELLEN POON, THOMAS L. HUTCHINSON, STEVEN ROSENBAUM, JOE LETTERI, JOHN SCHLAG, JEFFREY B. LIGHT, TIEN TRUONG, JAMES D. MITCHELL, WADE HOWIE Executive in Charge of Production ...............................PATRICIA BLAU Supervisor of Software and Digital Technology ..............THOMAS A. WILLIAMS Computer Graphics Software Developers .......MICHAEL J. NATKIN, ERIC ENDERTON, ZORAN KA\vCI\'C-ALESI\'C, JOHN HORN, BRIAN KNEP, PAUL ASHDOWN Visual Effects Coordinator ......................................JUDITH WEAVER Visual Effects Art Director ................................TYRUBEN ELLINGSTON Visual Effects Editor .........................................MICHAEL GLEASON Scanning Supervisor ..............................................JOSHUA PINES Optical Supervisor .................................................JOHN ELLIS Plate Photography Camera Assistant ...........................PATRICK McCARDLE ILM Plate Producer ................................................MARK MILLER Digital Artists ..........CAROLYN ENSLE RENDU, BART GIOVANNETTI, DAVID CARSON, RITA E. ZIMMERMAN, SANDY HOUSTON, KATHLEEN BEELER, BARBARA BRENNAN, GREG MALONEY, LISA DROSTOVA Computer Graphics Camera Matchmovers ..PATRICK T. MYERS, CHARLIE CLAVADETSCHER Computer Graphics Technical Assistants ............STEVE MOLIN, MICHAEL CONTE, JOEL ARON, CURT I. MIYASHIRO, EDWIN DUNKLEY, PATRICK NEARY Scanning Operators ...............RANDALL K. BEAN, GEORGE GAMBETTA, MIKE ELLIS Computer Graphics Systems Support .......KEN BEYER, LINDA J. SEIGEL, JAY LENCI Video Engineers .......................................FRED MEYERS, GARY MEYER Computer Graphics Coordinators .............GINGER THEISEN, NANCY JILL LUCKOFF CG Department Production Manager ..................................GAIL CURREY CG Department Operations Manager ......................JOHN ANDREW BERTON, JR. Senior CG Department Manager ................................DOUGLAS SCOTT KAY Visual Effects Camera Operators ....................PAT TURNER, TERRY CHOSTNER Additional Plate Photography .....................................SCOTT FARRAR Camera Assistants ...................................ROBERT HILL, JEFF GREELEY Matte Artists .................................CHRISTOPHER EVANS, YUSEI UESUGI Assistant Editor ..............................................ROBERTO McGRATH Negative Cutter ..................................................LOUIS RIVERA Projectionist ............................................TIMOTHY A. GREENWOOD Editorial Coordinator ............................................DAVID TANAKA Chief Model Makers ...........................BARBARA AFFONSO, LORNE PETERSON, STEVE GAWLEY, IRA KEELER, CHRISTOPHER REED Stage Technicians ............................PAT FITZSIMMONS, TIMOTHY MORGAN, ROBERT FINLEY, JR., WILLIAM BARR Optical Camera Operators .......................KEITH L. JOHNSON, JAMES C. LIM Optical Line Up ............................JOHN D. WHISNANT, KRISTEN TRATTNER Optical Lab Technician ...........................................TIM GEIDEMAN Optical/Scanning Coordinator ......................................LISA VAUGHN Camera Engineers ...............................DUNCAN SUTHERLAND, MIKE BOLLES Production Accountant ..............................................PAMELA KAY Courier Coordinator ............................................JERRY SIMONSEN Production Assistant ............................................TINA MATTHIES STAN WINSTON STUDIO Art Department Coordinators ......................JOHN ROSENGRANT, SHANE MAHAN Mechanical Department Coordinators ........RICHARD LANDON, CRAIG CATON-LARGENT Concept Artist...........................................MARK "CRASH" McCREERY Mechanical Design .............CHARLES LUTKUS III, RICH HAUGEN, EVAN BRAINARD, RICHARD GALINSON, TIM NORDELLA, ALFRED SOUSA, JEFF EDWARDS, JON DAWE, PATRICK SHEARN, J. ALAN SCOTT Technical Coordinator T-Rex ........................................CRAIG BARR Hydraulic Engineer .................................................LLOYD BALL Master Welder ................................................ARMANDO GONZALEZ Key Artists .........MIKE TRCIC, SHANNON SHEA, CHRISTOPHER SWIFT, DAVE GRASSO, JOEY OROSCO, ROB HINDERSTEIN, ANDY SCHONEBERG, JOSEPH READER, GREG FIGIEL, IAN STEVENSON, BILL BASSO, PAUL MEJIAS Master Mold Maker ..............................................ANTHONY McCRAY Dinosaur Skin Fabricators ..RICHARD DAVISON, MARILYN DOZER-CHANEY, KAREN MASON Art Department ....BETH HATHAWAY, NICK MARRA, MICHIKO TAGAWA, ROBERT RAMSDELL, DAVID BENEKE, SCOTT "GWIDGE" URBAN, MARK JURINKO, FRANCESCA AVILA, MITCH COUGHLIN, SEBASTIN CAILLABET, NATHALIE FRATTI-RAPOPORT, ANTHONY GAILLARD, LINDSAY McGOWAN, PIERRE OLIVIER THEUENIN, JEFF PERIERA, LEN BURGE, KEVIN McTURK, EILEEN KASTNER-DELAGO, ERIC OSTROFF, KEVIN WILLIS, BRAD KRISKO, ADAM JONES Mechanical Department .............................BRIAN NAMANNY, BRUCE STARK, MATT DURHAM, GREGORY MANION Production Coordinators ......................TARA MEANEY-CROCITTO, MARK LOHFF Production Assistants .........................CHUCK ZLOTNICK, KIMBERLY VERROS TIPPETT STUDIO Production Supervisor ...........................................JULES TIPPETT Computer Interface Engineer .......................................CRAIG HAYES Senior Animator ...............................................RANDAL M. DUTRA Animator ........................................................TOM ST. AMAND Computer Systems ..................................................ADAM VALDEZ Production Coordinator .........................................SHEILA DUIGNAN Production ...............................SUZANNE NIKI YOSHII, REBECCA SCHIROS Engineering .....................................NICHOLAS BLAKE, BART TRICKEL, CONRAD BONDERSON, GARY PLATEK, STUART ZIFF Animatics ...........ERIC SWENSON, MIKE BIENSTOCK, KIM BLANCHETTE, PETER KONIG Computer Technicians ...............................STEVE REDING, DOUGLAS EPPS Post production sound services provided by Skywalker Sound, a division of Lucas Digital LTD. Marin County, California Re-Recording Mixers .................GARY SUMMERS, GARY RYDSTROM, SHAWN MURPHY Sound Design ....................................................GARY RYDSTROM Supervising Sound Editor ........................................RICHARD HYMNS Sound Effect Editors ...................KEN FISCHER, TIM HOLLAND, TERRY ECKTON ADR Editor ....................................................LAUREL LADEVICH Dialogue Editors .................................MICHAEL SILVERS, SARA BOLDER Foley Editors ..........................SANDINA BAILO-LAPE, MARY HELEN LEASMAN Asst. Supv. Sound Editor ...........................................RUTH HASTY Assistant Sound Designer ..........................................CHRIS BOYES Assistant Sound Effects Editors ..................J. R. GRUBBS, SCOTT GUITTEAU Assistant ADR Editor ................................................BOB MARTY Assistant Dialogue Editors ............................DONNA JAFFE, MAIA VERES Assistant Foley Editor .........................................SUSAN POPOVICH Apprentice Editor ................................................ANDRE FENLEY Foley Artists .....................................DENNIE THORPE, MARNIE MOORE Foley Recordist ...................................................CHRIS BOYES Music Editor .................................................KENNETH WANNBERG Music Contractor .............................................SANDY DECRESCENT Music Preparation ...................................JO ANN KANE MUSIC SERVICE Music Scoring Mixer ..............................................SHAWN MURPHY Scoring Crew ....................................SUSAN McCLEAN, MARK ESHELMAN, GREG DENNEN, RICHARD DEARMAS, BILL TALBOT Orchestrations ................................JOHN NEUFELD, ALEXANDER COURAGE Post Production Assistant .........................................ROBERT WEST ADR Mixer .........................................................DEAN DRABIN ADR Recordist .....................................................ANN HASDELL ADR Re-Recorded at .................................TODD-AO/GLEN GLEN STUDIONS ADR Voice Casting ..............................................BARBARA HARRIS Music Recorded At .......................................SONY PICTURES STUDIOS Color Timers .......................................DALE CALDWELL, ART HALISSI Negative Cutter ..................................................GARY BURRITT Amblin Projectionist ............................................RENE GONZALEZ Dolby Stereo Consultant ....................................DOUGLAS GREENFIELD Titles and Opticals by ..........................................PAClFIC TITLE Remote Control Camera Systems by ............................NETTMANN/MATTHEWS Process Compositing by ................................................HANSARD Crane and Dollies by ..................................................CHAPMAN Gyrosphere by ..........................................PRESTON CAMERA SYSTEMS CAST Grant ...............................................................SAM NEILL Ellie ..............................................................LAURA DERN Malcolm .........................................................JEFF GOLDBLUM Hammond ..................................................RICHARD ATTENBOROUGH Muldoon ..............................................................BOB PECK Gennaro ........................................................MARTIN FERRERO Wu ..................................................................B.D. WONG Tim ...........................................................JOSEPH MAZZELLO Lex ...........................................................ARIANA RICHARDS Arnold ......................................................SAMUEL L. JACKSON Nedry ............................................................WAYNE KNIGHT Harding ...........................................................JERRY MOLEN Rostagno ......................................................MIGUEL SANDOVAL Dodgson ..........................................................CAMERON THOR Volunteer #1 ..........................................CHRISTOPHER JOHN FIELDS Volunteer Boy ...................................................WHIT HERTFORD Mate ..............................................................DEAN CUNDEY Worker in Raptor pen ............................................JOPHERY BROWN Helicopter Pilot ..................................................TOM MISHLER "Mr. D.N.A." Voice ................................................GREG BURSON Worker at Amber Mine ...........................................ADRIAN ESCOBER Jurassic Park Tour Voice ........................................RICHARD KILEY PUPPETEERS LLOYD BALL SHANE MAHAN CRAIG BARR KAREN MASON BILL BASSO MARK "CRASH" McCREERY DAVID BENEKE PAUL MEJIAS LARRY BOLSTER TIM NORDELLA EVAN BRAINARD JOEY OROSCO CRAIG CATON JEFF PERIERA MITCH COUGHLIN JOSEPH READER RICHARD DAVISON JOHN ROSENGRANT JON DAWE ANDY SCHONEBERG JEFF EDWARDS J. ALAN SCOTT GREG FIGIEL SHANNON SHEA RICK GALINSON PATRICK SHEARN ARMONDO GONZALEZ ALFRED SOUSA AVE GRASSO IAN STEVENSON BETH HATHAWAY CHRISTOPHER SWIFT RICHARD HAUGEN MICHIKO TAGAWA RICHARD LANDON MIKE TRCIC CHARLES LUTKUS III MATT WINSTON STUNTS NATALIE BOLINGER GARY EPPER LAURA DASH DONNA EVANS RUSTY HANSON LARRY DAVIS NORMAN HOWELL GARY McCLARTY LES LARSON PAT ROMANO BRIAN SMRZ R.A. RONDELL PATRICK TALLMAN [A misquote in the credits, should be PATRICIA TALLMAN who did stunts for Laura Dern, for example hanging from the rotunda skeletons in the end] Filmed at Universal Studios and Kauai, Hawaii The Producers Wish to Thank the Following: GEORGE LUCAS THE ISLAND & PEOPLE OF KAUAI -- MAYOR JOANN YUKIMORA KAUAI FILM COMMISSIONER JUDY DROSD STATE OF HAWAII FILM OFFICE CALIFORNIA FILM COMMISSION IRIS INDIGO ELANS AND 4D/440 VGXT COMPUTER SYSTEMS PROVIDED BY SILICON GRAPHICS APPLE COMPUTER, INC. SUPERMAC TECHNOLOGY 3D WEATHER SOFTWARE BY EARTHWATCH COMMUNICATIONS MINNEAPOLIS 4D CREATIVE ENVIRONMENT PROVIDED BY SOFTIMAGE ELECTRIC IMAGE NEWER TECHNOLOGY KAIMBU ISLAND RESORT, FIJI TURTLE ISLAND, FIJI TROPICALS BY GORDON COURTRIGHT (C)1988, BY TIMBER PRESS RIXAN & ASSOCIATES, INC. GENETIC ENGINEERING NEWS, MARY ANN LEIBERT, INC. PUBLISHERS CARL ZEISS, INC. HELICOPTER TOUR OPERATORS OF KAUAI THE DINOSAUR SOCIETY-DON LESSEM CONNECTION MACHINE (CM-S) SUPERCOMPUTER SYSTEM BY THINKING MACHINES CORPORATION "QUB MILAGRO CHAPPARITA" Written by Dolores Ayala Olivares Performed by Madacy Mariachi Bond Courtesy of Madacy Music Group ORIGINAL SOUNDTRACK ON MCA CDS AND CASSETTES THIS FILM MIXED AND RECORDED IN A THX SOUND SYSTEM THEATRE FILMED WITH PANAVISION CAMERA & LENSES Color by DELUXE DOLBY STEREO in Selected Theaters THIS FILM MIXED AND RECORDED IN A THX SOUND SYSTEM THEATRE EASTMAN COLOR FILM DIGITAL THEATRE SYSTEM CERTIFICATE NO IATSE MPAA SEAL INSIGNIA COPYRIGHT 1993 UNIVERSAL CITY STUDIOS, INC. AND AMBLIN ENTERTAINMENT, INC. All Rights Reserved. Country of First Publication: United States of America. Universal City Studios, Inc. and Amblin Entertainment, Inc. are the authors of this motion picture for purposes of the Berne Convention and all national laws giving effect thereto. THE ANIMALS USED IN THIS FILM WERE IN NO WAY MIS- TREATED AND ALL SCENES IN WHICH THEY APPEARED WERE UNDER STRICT SUPERVISION WITH THE UTMOST CON- CERN FOR THEIR HANDLING. THE CHARACTERS AND EVENTS DEPICTED IN THIS PHOTO- PLAY ARE FICTITIOUS. ANY SIMILARITY TO ACTUAL PER- SONS, LIVING OR DEAD, IS PURELY COINCIDENTAL. THIS MOTION PICTURE IS PROTECTED UNDER THE LAWS OF THE UNITED STATES AND OTHER COUNTRIES. UNAUTHO- RIZED DUPLICATION, DISTRIBUTION OR EXHIBITION MAY RESULT IN CIVIL LIABILITY AND CRIMINAL PROSECUTION. A STEVEN SPIELBERG FILM AMBLIN ENTERTAINMENT F. FURTHER READING ------------------ Michael Crichton, JURASSIC PARK Don Shay & Jody Duncan, THE MAKING OF JURASSIC PARK /* * * Otto J. Makela <otto@jybox.jyu.fi> * * * * * * * * * * * * * * * */ /* Phone: +358 41 613 847, BBS: +358 41 211 562 (V.32bis/USR-HST,24h/d) */ /* Mail: Kauppakatu 1B18/SF-40100 Jyvaskyla/Finland, ICBM: 62.14N25.44E */ /* * * Computers Rule 01001111 01001011 * * * * * * * * * * * * * * * * */